She's been here since before the renovation. Before the new coffee station, before the salad bar pods replaced the sneeze-guard trays from the nineties, before whoever it was who first laminated the SEASONAL SPECIAL sign and never changed it. The cafeteria at 11:50 AM is a kind of parade, and she has a front-row seat that nobody notices her sitting in.
"Have a Good One" is a song sung in her voice — Donna, name tag above the left pocket, cafeteria lunch lady, nineteen years in the same building. The Rhodes comes in before she does, warm and a little blurry, like the light through the steam table. She describes the morning setup in the same flat register she uses for everything: the pasta bake is in, the soup needs a stir, Jeffrey always comes first and he always orders turkey with no bread, and she knows why, and she will never say. The chorus — "have a good one," said two hundred times a day in a tone that has been worn smooth — arrives not as a punchline but as something closer to a ritual. She says it like a blessing. She's not entirely sure she means it. By the final chorus, she might.
The song's emotional turn lives in the bridge: the cafeteria at two o'clock, after everyone's gone back upstairs. Rhodes plays alone. She says her own name the way she's said everyone else's — quietly, once, without fuss. Donna. It's been on the tag since 2005. The sneeze guard still needs wiping. She wipes it.
[Verse 1]
It's quarter to ten and the pasta bake's in
Steam table's hot, I've checked the pans twice
The house salad's out, the soup needs a stir
Nobody's here yet. I don't mind the quiet
Jeffrey comes first — turkey, no bread
He's been doing that since his wife left him
I don't say a word, I just slide him the tray
"Have a good one, Jeffrey." He barely looks up
The seasonal special's been chicken marsala
Since the sign got laminated in two-thousand-and-seventeen
I keep my opinions where they live the best
Which is somewhere between the ladle and me
[Chorus]
Have a good one
Have a good one
Said to a hundred faces that won't remember mine
Have a good one
Have a good one
I say it like a blessing I'm not sure I mean
Have a good one
[Verse 2]
The gluten-free tray has a green label on it
I've explained this to Mariana three hundred times
She nods like it's new, I smile like it's fine
"Green label, right there — you're all set"
I saw the CFO cry into his soup last March
The split-pea, which isn't our best
He was sitting alone at the table by the window
I looked at the counter. I counted the trays
The intern said "thank you" and meant it
Stopped, looked up, said "this is really good"
I said "have a good one" like I always do
But that time I think I did
There's a sign by the register, black letters:
THANK YOU FOR BUSSING YOUR OWN TRAY
Nineteen years. I've read it nineteen years
The VPs never do. I wipe the table anyway
[Chorus]
Have a good one
Have a good one
Said to a hundred faces that won't remember mine
Have a good one
Have a good one
I say it like a blessing I'm not sure I mean
Have a good one
[Bridge]
Two o'clock
The cafeteria's empty
My name is on a tag above my left pocket
Donna
It's been there since October, two-thousand-and-five
Rhodes plays alone here
Steam turns off
Donna straightens the sneeze guard
Have a good one, Donna
Have a good one
[Final Chorus]
Have a good one
Have a good one
Said it so long I think I might believe it now
Have a good one
Have a good one
Said to everyone. Said to no one
Have a good one
[Outro]
(kitchen sounds come back — distant tray clatter, refrigerator hum, the squeak of sneakers on linoleum, Rhodes fading)
Have a good one
...have a good one