焦尾未成 · Before the Burnt-Tail Qin

An imagined Eastern Han workshop places Cai Yong beside a charred paulownia beam before its first strings, where close guqin and a restrained female voice recognize music before it is made.

焦尾未成 · Before the Burnt-Tail Qin
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An imagined Eastern Han workshop places Cai Yong beside a charred paulownia beam before its first strings. Close guqin phrases give the wood and cooling ash room to breathe, while a female silk-and-ink voice moves from intimate verses to a dignified chorus. The song is restrained, tactile, and quietly luminous, suited to late-night reading or a slow dawn.
[Intro / 引子] 桐火歇南窗 焦痕入木深 未有琴中曲 先闻炭底音
[Verse 1 / 主歌一] 汉苑秋声薄 孤灯照短襟 蔡氏临焦尾 听来似旧琴
[Chorus / 副歌] 焦尾未成琴 犹抱暮寒深 斧落余声在 弦前已识音
[Verse 2 / 主歌二] 斧痕停半寸 霜气入衣襟 莫使良材尽 留将木里吟
[Chorus / 副歌] 焦尾未成琴 犹抱暮寒深 斧落余声在 弦前已识音
[Bridge / 过渡] 万籁归空室 余灰冷未沉 一声从木出 如有故人临
[Final Chorus / 尾副歌] 焦尾未成琴 犹抱暮寒深 斧落余声在 弦前已识音
[Outro / 尾声] 桐影覆空案 灰痕冷到晨 未闻弦上曲 先留木里真

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