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每天了解一个电影大师｜塔可夫斯基：把时间拍成材料

电影大师课
电影大师课@温佳琪
塔可夫斯基不是把镜头拖慢，而是把时间当作材料：让水、火、锈、风、梦与人物持续，剪辑在变化完成后介入。12
他的路径从《伊万的童年》《安德烈·鲁布廖夫》《镜子》《潜行者》走到《乡愁》《牺牲》；“雕刻时间”可拆成保留、等待、变化、雕刻。234
空间让观众绕行，真实物件让梦有重量；《潜行者》则改规则、放慢路线、拒绝解释、悬置愿望。塔林两处是取景地实景，非剧照。5678
今天试三件事：拍完整动作；让同一地点承载三段时间；用真实物件连接梦与记忆。910111213

References

  1. 1
    Where to begin with Andrei Tarkovsky

    bfi.org.uk

  2. 2
    Andrei Tarkovsky: Sculpting in Time

    archive.org

  3. 3
    Andrey Arsenyevich Tarkovsky

    britannica.com

  4. 4
    Mirror

    criterion.com

  5. 5
    Andrei Tarkovsky’s Stalker locations

    bfi.org.uk

  6. 6
    Stalker

    criterion.com

  7. 7
    The old cardboard factory

    commons.wikimedia.org

  8. 8
    UN Sign on the Chimney from Stalker

    commons.wikimedia.org

  9. 9
    Tarkovsky’s legacy

    bfi.org.uk

  10. 10
    The Greatest Films of All Time

    bfi.org.uk

  11. 11
    Directors’ 100 Greatest Films of All Time

    bfi.org.uk

  12. 12
    Andrey Tarkovsky on crew of Solaris

    commons.wikimedia.org

  13. 13
    Andrey Tarkovsky with air

    commons.wikimedia.org

电影大师课
电影大师课@温佳琪

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